Entertainment Marketing Photographer in Los Angeles
Full studio campaign photography — key art, character breakouts, talent portraits, and behind-the-scenes — for HBO, FX, Netflix, AMC, Cinemax, Hulu, Starz, Amazon, YouTube Originals, Warner Bros, Universal, Sony, Focus Features, Magnolia Pictures, Miramax, CBS Films, 20th Century Fox, Interscope, Billboard, and Vice.
Entertainment marketing photography is the full pipeline behind a campaign — not just the hero image but every supporting asset: character breakouts, talent portraits, BTS, additional asset shoots, all coordinated against the campaign's visual system. A large portion of campaign work is shot specifically for compositing: matching lighting setups to existing celebrity headshots, shooting body doubles, building negative space for typography, capturing texture and motion references.
Frequently Asked Questions
What's the difference between key art and entertainment marketing photography?
Key art is the single hero image — a poster, one-sheet, or thumbnail. Entertainment marketing photography is the full pipeline behind it: character breakouts, talent portraits, BTS, additional asset shoots, all coordinated against the campaign's visual system. I work across both as a campaign-production partner.
Can you produce material for compositing?
Yes. A large portion of campaign work is shot specifically for compositing — matching lighting setups to existing celebrity headshots, shooting body doubles, building negative space for typography, capturing texture and motion references. I have produced compositing-ready assets for major studio campaigns for 15+ years.
Do you handle retouching and post?
Yes — full Adobe Creative Suite + Capture One certified. Retouching oversight, asset management, version control, and multi-platform export are part of the engagement. Useful for clients who want a single creative partner across capture and post.
One-person operation
I work lean by design. No ensemble crew, no rental theater, no lighting kit chosen because it photographs well in the BTS reel. Every lighting choice has a job. Capture One tethered, intentional setup, compositing-ready capture from frame one.
Reasonable pricing comes out of that. You pay for the work, not the production size.
Fast without losing quality. I came up working with multiple art directors giving different notes at the same time. You learn to change lighting style in minutes, sometimes seconds. The shoot keeps moving when the brief shifts.
Related
Read the long-form piece on how movie posters actually get made: Inside the Hidden Machine.
Award-winning case studies: Game of Thrones · Catfish · Whiplash.
Related services: Key Art Photography · Celebrity Portraiture.